Stricter penalties urged on FX real estate purchases    Egypt allocates EGP 9.7bn to Suez governorate for development projects in FY 2023/24    20 Israeli soldiers killed in resistance operations: Hamas spokesperson    Health Minister emphasises state's commitment to developing nursing sector    Sudan aid talks stall as army, SPLM-N clash over scope    Madbouly conducts inspection tour of industrial, technological projects in Beni Suef    Taiwan's tech sector surges 19.4% in April    France deploys troops, blocks TikTok in New Caledonia amid riots    Egypt allocates EGP 7.7b to Dakahlia's development    Microsoft eyes relocation for China-based AI staff    Abu Dhabi's Lunate Capital launches Japanese ETF    Asian stocks soar after milder US inflation data    K-Movement Culture Week: Decade of Korean cultural exchange in Egypt celebrated with dance, music, and art    Egypt considers unified Energy Ministry amid renewable energy push    Empower Her Art Forum 2024: Bridging creative minds at National Museum of Egyptian Civilization    Niger restricts Benin's cargo transport through togo amidst tensions    Egypt's museums open doors for free to celebrate International Museum Day    Egypt and AstraZeneca discuss cooperation in supporting skills of medical teams, vaccination programs    Madinaty Open Air Mall Welcomes Boom Room: Egypt's First Social Entertainment Hub    Egyptian consortium nears completion of Tanzania's Julius Nyerere hydropower project    Sweilam highlights Egypt's water needs, cooperation efforts during Baghdad Conference    AstraZeneca injects $50m in Egypt over four years    Egypt, AstraZeneca sign liver cancer MoU    Swiss freeze on Russian assets dwindles to $6.36b in '23    Climate change risks 70% of global workforce – ILO    Prime Minister Madbouly reviews cooperation with South Sudan    Egypt retains top spot in CFA's MENA Research Challenge    Egyptian public, private sectors off on Apr 25 marking Sinai Liberation    Debt swaps could unlock $100b for climate action    Amal Al Ghad Magazine congratulates President Sisi on new office term    Egyptian, Japanese Judo communities celebrate new coach at Tokyo's Embassy in Cairo    Financial literacy becomes extremely important – EGX official    Euro area annual inflation up to 2.9% – Eurostat    BYD، Brazil's Sigma Lithium JV likely    UNESCO celebrates World Arabic Language Day    Motaz Azaiza mural in Manchester tribute to Palestinian journalists    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



Film review: Born to the boombox
Published in Almasry Alyoum on 27 - 09 - 2010

The ultimate dilemma any critic faces when writing a movie review is, what, exactly, makes a movie good? So many different elements are at play that the criteria changes with each movie. "Step Up 3D," for example, poses a problem. Failing as it does on so many standard artistic levels, can it still succeed based on what its dance-movie genre promises? Because "Step Up 3D" may have no plot and terrible acting, but as far as dance is concerned, it is terrific.
When the first "Step Up" was released in 2006, it launched young actor Channing Tatum to super-stardom and re-popularized the dance movie, which had been in serious decline since 1987's Patrick Swayze blockbuster "Dirty Dancing." But, even today, romance and dance go well together, and they still provide the basic foundation for a successful dance movie.
The sequel to "Step Up" followed the same basic storyline as the first one with slightly different characters. There was the hot male dancer, tortured by his upbringing or family issues or whatever-sounds-cool, and the female dancer (also hot), usually a strong-headed girl who likes to lead but falls for the leading man, eventually softening enough follow him, at least on the dance floor.
The pair usually heads a team of dancers who, instead of having any discernible personalities of their own, inhabit reflections of personality-elements. There is the angry one, the sad one, the nerdy one, the funny one, etc. At some point in the movie, the team is compelled to fight for some kind of prize for reasons whose believability and importance are secondary to the amazing dance routines that follow.
It won't spoil "Step Up 3D" to say that the dance team led by the main couple usually wins, and perform a highly elaborate routine in celebration.
"Step Up 3D" follows this basic formula, with Luke (played by Rick Malambri) as the male dancer and Natalie (played by Australian actress and dancer Sharni Vinson) as the female dancer. A character named Moose, who appeared in the previous "Step Up" movies, has relocated to New York City (perhaps to allow the musical director to use Jay-Z's extremely popular song "Empire State of Mind"), after promising his mother that, instead of dancing, he is going to study electrical engineering. But Moose soon stumbles upon a dance battle where he meets Luke and his dance crew, called House of Pirates. He joins the team to compete in the World Jam Dance contest (the promised competition for a prize) against their rivals, House of Samurai.
The movie, with an estimated budget of US$30 million, has grossed US$42 million in the United States and US$95 million internationally. In keeping with the formula, these high numbers probably mean that director Jon Chu is already plotting "Step Up 4."
As a critic, it's hard to ignore the unoriginal plot and terrible acting. But, when it comes to this kind of movie, who really cares? Most viewers will be mesmerized by the amazing choreography and the beautiful people performing it.
The fact that the movie is in 3D doesn't hurt either. This technique, as high-quality as that used in "Avatar," helps the dances and scenery come to life. A single scene, shot in streets of New York City, turns the viewer into a tourist.
And, while they did not deliver any believable acting, the dancers are spot on with each move, and stunning visuals--the movie makes good use of light, water and dust--and great costumes add a lot. The style is mostly hip hop and street dance, but tango and Broadway routines are highlights. At one point, House of Pirates dance in a dusty old house, and their movements create dust patterns, adding an extra layer to their routine. Water and suits adorned with lights are used in the same way to elevate the routines to a new level.
Just as a dance movie comes with a standard plot, it comes with a standard audience of young, hopeless romantics who are looking for a love story, a couple of cliched conflicts and stunning dance performances. That audience will certainly think that "Step Up 3D" is very, very good.


Clic here to read the story from its source.